Love for Pic

This is the reason why you all want to become professional writers. Because of the adoration, respect, unconditional love, and a readership that's not too proud to shower you with a little grateful attention.

This fan letter comes from our good friend D. Ford of Mnpls, MN. "Always looking for new mytery writers, hoping I'll find a gem to add to my favs collection. Bought your "Midnight Road" sight unseen from Amazon. Have tried to get into it 3 times. All failures. This is the most disjointed, unrealistic attempt @ writing a mystery novel I've tried in over 5 yrs. The character and his rambling 1st person problems make no sense at all. There's no cohesion or sense of danger or any tension. The dead dog!! Give me a break, don't know what you're trying for, and I don't think you do either. And the manufactured danger he faces from the police for no apparent reason, just makes this a VERY weak attempt. $$ wasted. Go back to Lit 101 & read Mike Connelly, John Sanford, Stephen Hunter, Robert Crais, and start all over!!"

Feel free to drop Mr. or Ms. Ford a line at tau14@q.com

Sure, I could've spent a half hour writing a resounding & insulting missive that would ring his ass like a bell, but what's the point? Here's what I wrote instead:

"Thanks for your generous compliments. Keep reading!

Love,

Tom Pic"

Haters. You know you want more of them in your life. Become a novelist now!

Pic & the Punisher plus Another of those Damn Memes

Been parceling out the info in drips and drabs the past couple of weeks, but the paperwork has been signed and things are official now.

My story "Dolls" will appear in Punisher #75, an oversized issue featuring 4 tales that's due out in October. I know brilliant crime novelists/comic writers Charlie Huston and Gregg Hurwitz will also be in this one, so that's a serious fuckin' honor right there.

Originally Marvel wanted a 4-6 page story but my terrific editor kept giving me more and more room. The final piece will be 10 pages long, about half the length of a regular issue. All the stories had to touch on the day in Central Park when Castle's family was murdered.

"Dolls" opens as Frank is about to take a sniper shot at a mobster when a little lost girl asks him to help her find her father. It's her birthday soon and she asks if he'll buy her a present. He buys her a doll that--ding ding--reminds him of his own dead daughter. Frank only has a certain amount of time to take out his target and is torn between helping the girl and leaving her and getting back to killing the guy.

The brilliant Laurence Campbell is slated to do the artwork. A sample of his work is up top.

Total fanboy geeking out here.

__

Got tagged with this four-shot meme which is going around to crime writers all over the place.

Four Movies You Can See Over and Over

Seven Beauties (fave film of all time)

The Wild Bunch

Sunset Boulevard

The Maltese Falcon

Four Places You Have Lived

There's only been two:

New York

Colorado

Four TV Shows You Love to Watch

It's Always Sunny in Philadelphia

Dexter

The Odd Couple

Lost

Four Places You Have Been on a Vacation

Santa Fe, NM

Phoenix AZ

Quebec City, CAN

New York, New York (If I had my way this is where we'd always go).

Four of Your Favorite Foods

New York Pizza

New York bagels

Pasta Fasool (I make it better than your grandma does)

London Broil

Four Websites You Visit Daily

The Big Adios

Shocklines

Ed Gorman

Internet Movie Data Base

Four Places You Would Rather Be

Manhattan (okay, so it's a running theme)

Florence, Italy

Newport Beach, CA

1977 (so I could tell my younger self not to be such a dweeb)

Four Things You Hope to Do Before You Die

Have a New York Times bestseller

Have Hollywood woo me

Do film commentary for a film based on one of my novels

Celebrate my 83rd birthday with my 18-year old second wife Bambi (heart over the "i")

Four Novels You Wish You Were Reading for the First Time

THE DEAD FATHER by Donald Barthelme (fave novel)

SLAUGHTERHOUSE-FIVE by Kurt Vonnegut

THE WORLD ACCORDING TO GARP by John Irving

CATCH-22 by Jospeh Heller

Hard Eight

So as of May 27 I’m now I’m 44–a hard eight as you craps shooters say–and another year closer to 46, which is something of a benchmark as it’s the age my father was when he died. Who knows if I’ll make it (place your bets, everyone). My mid-life crisis started a couple of years ago. I’m not sure when it’s supposed to end. With the advent of classmates.com and Facebook, clearly I’m not the only one suffering through severe bouts of sentimentality and romanticized youthful times. I suppose it’s just a part of what everyone goes through. We’re just louder about it because we all fucking blog.

So, some news:

You can find my article on Korean crime/horror films in the latest issue of Asian Cult Cinema (#62), including my reviews of Our Town, Dream, The Chaser, and Open City among others.

The cover for SHADOW SEASON has been finalized. It’s a bit tweaked from the previous images I’ve posted (now with "Edgar Award nominee" listed among my attributes). I think it’s a real grabber and hopefully it’ll pop nicely on the shelf. The book is due October 27 but of course you can pre-order now from Amazon or B&N.com. Also remember to spread the love and support your independent bookstore.

I recently placed my first script with Marvel. I’m playing it close to the vest for the time-being until all the paperwork is signed, etc., but this is a real dream come true. Comics have been a big part of my life, both personal and creative, since before I could read. I clearly remember my brother handing me issues of Daredevil #4 (1st app. of the Purple Man) and Avengers #5 (first app. of the Lava Men) when I couldn’t have been older than two or three. Although my collection has thinned considerably over the years, at one point I owned about 8k comics, all properly backboarded, bagged up and boxed. The collector’s bug, that need to own every issue of every series that came out every month, eventually left me and I sold off about half my comics. Which means I currently own about 4k, including DD #4 and Avengers #5 (though not the same copies my brother gave me).

From the You’ve Got to Check This Out Dept:

Gillian Flynn’s second novel DARK PLACES is out now. Her brilliant SHARP OBJECTS was an Edgar Award nominee and DARK PLACES might even be more twisted, naughty, and noir-stuffed. It follows the story of the lone survivor of a family slaughter, alternating between the narrative of that emotionally screwed-up young lady and flashbacks of her murdered mother and her brother, the supposed killer. A real grabber of a novel that is mysterious and haunting in the best ways.

Also, out now on DVD is J.T. Petty’s THE BURROWERS. A horror-western film that is gripping, realistic, grueling, and genuinely disturbing. The story focuses on a posse hunting after a missing family believed to have been taken by renegade Indians. But soon it becomes apparent that something else, something inhuman, has stolen the folks. There are scenes that won’t be leaving your mind anytime soon. This is one unsettling, nihilistic gut-stomper the way great horror fiction/film is supposed to be.

The Brotherhood of Inspiration

You've heard the line so much that it's almost become a mantra: Writing is a lonely business. But the truth is that most writers hold down day jobs, travel for business, and have families that they have to make time for. Most writers can barely find any free time to write, much less time to become lonely. But for the professional author who's sitting in front of the screen with nothing but himself and his own thoughts, the process can become particularly wearying. Especially if he's working on something that draws heavily from his own life and keeps him locked inside his own past as well.

So it's good to get out and see friends and meet fans and discuss process and let the thoughts that are generally bouncing around inside your skull fly free. At last weekend's Mo*Con in Indianapolis we got a chance to hang with good friends (including Gerard & Linda Addison, Wrath James White, Alethea Kontis, Kelli Dunlap, the "Mo" himself Maurice Broaddus, and a slew of other buds), fun fans, and folks who are interested in all aspects of the writing life. Just being among other folks who understand where you're coming from, what challenges you face, what bars you set for yourself is inspiring. It can recharge the batteries.

So a big shout-out of thanks to everyone who attended Mo*Con and helped my flagging will. The past few months I've felt like Chev Chelios from Crank 2, running out of energy and being forced to stick my finger in a car lighter outlet or rub up against old ladies to build a static charge. Thanks for juicing my heart, people.

What is Noir?

Over on Shocklines, uber-horror writer Douglas Clegg and I have been discussing fiction/film noir a bit. He says, "It seems to me that in noir, there is a sort of Fata Morgana or Lorelei aspect -- in that a woman leads men to their doom at the center of the story, whether she wants to or not. " He goes on to ask, "If I'm wrong let me know -- my reading and movie-viewing in noir has been limited. Has there ever been a noir where a man lead women -- or a woman -- to her doom, and still could be called noir? Are there specific parameters to noir in fiction? How would you define it?"

Here's my shot at an answer:

Well, in film noir the Femme Fatale is certainly a central figure. More than anything, I think that noir can be defined as a "date with doom." Characters know that they're making mistakes, missteps, tempting fate, but for whatever reason they're drawn to doing so anyway. Usually by a woman but not always. They step out of the average life and step into another life that they seem to have been destined for, a kind of surreal or hyper-real existence.

Take for example my fave noir SUNSET BOULEVARD. William Holden is an average joe just trying to escape from the repo man when he drives into the world of Norma Desmond, who lives in that bizarre mansion where she watches only her own old films, holds a funeral for a dead monkey, has her own ex-husband/former director for a man-servant. Even when Holden has a chance to escape and find true love with his best friend's girl he gives her up because he knows she's better off without him, and he re-enters Norma's world to find only sorrow and death. There's no way out. He was fated to meet his demise, and he more or less knew it.

Another great noir is ODDS AGAINST TOMORROW starring Harry Belafonte and Robert Ryan. Ryan is a vicious racist who's thrown together with Belafonte to pull a bank heist. Belafonte is deep into debt with the mob so even though he knows he shouldn't be working with this prick, he's forced to do so. The entire movie he's aware that the score isn't going to work out. But he has to go forward. And of course, things end...explosively.

Step by step characters knowingly move to their own demise.

Charles Willeford wrote a fine noir novel called PICK-UP. I don't want to give the twist away but it's about a woman who falls for a guy and she eventually is led to her doom. He loves her, and she loves him, but for a twist reason (that you don't find out until the last line of the book...it's really just a big shaggy dog story) they're fated for destruction.

Jim Thompson's THE KILLER INSIDE ME can certainly be considered noir, full of nihilistic despair. Lou Ford is a sociopath deputy sheriff, a genius pretending to be a bumpkin. His "sickness" as he calls it forces him to murder. Two women love him and, as you might guess, two women end up doomed, as does Ford himself.

Cornell Woolrich wrote THE BLACK ANGEL, about a woman who's husband is leaving her for another woman. When the other woman is found murdered, the husband is found guilty. The wife believes he's innocent and searches for the real killer, invading several men's lives, making them fall in love with her, and then shattering them and casting them aside when she gets whatever information she needs. In point of fact, she's the femme fatale, but it's her blind love for her husband that sets her on her mission. So in one regard, she's as much a victim as the others.

In BORN TO KILL Lawrence Tierney plays a homicidal psychopath who murders his casual dates when he finds out they're seeing other men. Claire Trevor finds one of the victims and boogies out of town on a train, the same train that Lawrence happens to be on. When he figures out that she's a witness and she realizes he's a murderer they do what comes naturally...fall in love! They have a hot and heavy relationship even after she brings him home to her wealthy family. Of course, the inevitable happens and they kill each other and die in each other's arms.

That sense of fate, inevitability, highly romanticized-energized living before tragedy, the flame burning brighter before it burns out is the essence of noir, I think.

So how about you folks? How do you define noir?

Update & Spreading the Love

Just found out I was nominated for a Macavity for "Between the Dark and the Daylight" (EQMM), which is also up for a Thriller Award. Sweet. For the full list, check HERE.

New interviews with Lawrence Block and David Morrell can be found at THE BIG ADIOS. Larry discusses his memoirs STEP BY STEP and David explains just where he got some of his ideas for his latest thriller THE SHIMMER.

From the YUMPED UP YIMMINY YEESUS YOU NEED TO BE READING THIS Dept.:

If you're not already a hardcore fan of ED BRUBAKER then you need to jump on board now. This minute. Get thee to a comic shop or start picking up his graphic novels off Amazon. Read his CRIMINAL graphic novels and follow the brilliant INCOGNITO. Ed is deservedly the hottest writer in comics right now, due in no small part to his edgy noir underpinnings. CAPTAIN AMERICA, DAREDEVIL, IRON FIST, every series he touches he transcends. SLEEPER is in development with Sam Raimi and Tom Cruise attached.

From the THANK KEERIST IT'S FINALLY OUT ON DVD Dept.:

Well, not quite yet, but in under two weeks we finally get a Criterion edition of THE FRIENDS OF EDDIE COYLE, the gritty and gutwrenching film based on the brilliant novel by George V. Higgins. And yes, it really IS Robert Mitchum's best performance.

From the ED GORMAN IS THE MAN YES HE AM Dept.:

Our good pal, the incredible writer Ed Gorman informs us on yesterday's blog that FOOLS RUSH IN, his latest Sam McCain mystery, is out now in trade paperback. Do yourself a favor and scarf this baby up now. All the McCains are terrific novels and FOOLS RUSH IN might be his best yet.

I'm a Loser, Bay-Bee...

I'm a loser, bay-bee...so why don't ya kill mee...

Okay, so no sour grapes about losing out at the Edgars. I was damn sure Christa Faust would take the award home for MONEY SHOT but instead Meg Gardiner walks off with it for CHINA LAKE. My thanks to everyone who was willing to toss a molotov cocktail and cry foul, overturn tables, set fires, smash bottles of tequila and wave around the busted glass ends at the throats of the MWA judges. Never trust whitey!

You can check out all the winners right HERE.